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Transmodern Age 2006
...A
festival of experimental performance, dance, sound
and action...
The Transmodern Age festival is a three day celebration of experimental
culture from Baltimore and beyond combining performance, dance, sound,
action, film, and installations.
Transmodern Age 06 kicks off on Thursday,
April 6th with film and video works from some of the nation's acclaimed
experimental film-makers including Martha Colburn, Jenny Livingston, Nancy
Andrews and more. This Special Night of Films is sponsored by MICA and
will held at the Falvey Theater, Brown Center, Maryland Institute College
of Art.
On Friday, April 7th and Saturday April 8th, the G-Spot will host
two evenings of original pieces by established and emerging artists working
in time-based art including durational performance, experimental rock & hip
hop, avant dance, and other genre twisting performance phenomena.
Philosophy
What is experimental culture?
The Transmodern Age Festival is a gathering of the unconventional. The
organizing collective sees the festival not only as an art event,
but as work that responds to the now, created by a critical mass of cultural
experimenters in a language of artistic action. The gathering
expands beyond art and into lifestyle, politics and social statement.
This experimental culture is composed of a diverse community of
cultural workers. In the Transmodern Age, the fringe is in the foreground,
and focus is given to those normally marginalized in the operations of "normal" society:
Women, minorities, gays and lesbians.
The Transmodern Age Collective is comprised of a diverse group of artists
who strive to create a cultural milieu that reflects and promotes cultural
diversity, but that aims to radically push boundaries aesthetically, intellectually,
and socially.
The festival organizers
embrace the importance of curatorial work outside the traditional academic,
institutional, and commercial art world. In fact, we believe that collaborative
curatorial work by and for peers creates a radical foundation and intellectual
freedom inherently necessary for producing experimental and socially
challenging work. Our goal is to create an informal setting where this
work can be brought into direct contact with audiences.
Collective
Members
Rebecca Alvania
Bonnie
Jones
Jackie Milad
Melissa Moore
Catherine Pancake
Ric Royer
History
Transmodern Age 05 "What is Human"
After a one year break, Transmodern Age was officially titled a "festival" by
the organizers and held at two larger venues, Area405, www.area405.com and
the Creative Alliance (http://www.creativealliance.org.)
The festival was expanded to include 15 performers with more nationally recognized
artists such as Wynne Greenwood, Praxis, PaperRad and more. The festival
attracted a capacity crowd on Friday and sold-out on Saturday. The overall
festival audience
stood at @ 350. The festival was reviewed by the nationally respected, award-wining
arts magazine "ArtPapers." The Baltimore City Paper awarded Chiara Giovondo's
Transmodern Age performance as the "Best Performance Art" of 05 and recognized
the festival as one of the "Top Ten Art Events" of 2005 in Baltimore.
Transmodern
05 Web Site
Baltimore
City Paper interview with Jackie Milad
ArtPapers Review
Queerkit
Interview with Catherine Pancake
Baltimore City Paper Best Performance Art 05
Baltimore
City Paper Best of Art 05
Transmodern Age 03 "Otherworldly Adornment"
Transmodern
Age 03 was conceived by Catherine Pancake, Bonnie Jones, and Jackie
Milad. The show was a realization of the organizers desire to expand
and enrich
local avant culture by
providing a festival focused on avant works by predominantly women
in performance, dance, sound, and action. The shows were also an
attempt to bring together
improvised music with
performance art and dance. The event was held at the Chela Gallery
which was filled to
capacity for both nights with an overall audience of about 200
people.
Transmodern 03 Web Site
Baltimore
City Paper interview with Catherine Pancake
photo credits, top: K8 Hardy (Mike Muniak), bottom: Chiara Giovando
(Stewart Mostofsky)
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